Without darkness, I would never know light. I have heard variations of this truth since my youth.
Though we often speak about contrast—the degree of difference between the darkest and lightest parts of an image—there is another form of contrast that emphasizes the variances between subjects in a composition. And while, generally, we want a photograph to have good tonal range, compositionally, contrasting subjects can also be important for storytelling impact.
For instance, positioning someone tall next to someone short in the same frame helps show the height differential. The same goes for the contrast of a man dressed in an expensive, tailored suit passing by a man partially clothed in soiled rags, communicating the different place in life each occupies.
Henry Cartier-Bresson’s photographs of children playing in war-torn ruins or children pushing a steel hoop down the street as a hearse passes behind them and Margaret Bourke-White’s 1937 Great Depression image of hungry people in a breadline as a billboard behind them shows a smiling family in a nice car are examples of iconic photographs employing the concept of contrast.
Of the tools in a writer’s and photographer’s toolbox, the use of contrast can be a powerful and effective device to quickly communicate ideas and concepts.
Reader Challenge
See if you can capture or make a photograph that tells a story by using a contrast of subjects. Consider a still-life composition of objects, such as your child’s baby shoes arranged next to their grown-up shoes. It’s a way of revealing time passed. Or illustrate aging with a photograph of a frisky new puppy crawling over a tired, old dog.
Email your best image (just one, please) with caption information, including an explanation of how it affects you, to gph@pioneer.coop. We may share submissions on our website and social media channels.